2011 Good
Friday, December 31, 2010
Black Suit With Lime Green Pin Stripe
Here comes the new year
The old year goes away after a long rest you again with the promise that the new year will see us again in the forefront to advance our inizziativa to make known the treasures of Iblei.
Thursday, December 30, 2010
What Is The Trick To Idrag
Michael Lavine, Grunge (ISBN editions)
Before becoming a photographer of great fame required to Hollywood stars, rappers and rock giants, Michael Lavine has had its own art education and sentimental el'Olympia the Seattle underground of the early eighties, during the years when he began to develop quite naturally a beautiful punk ferment that led eventually to the explosion of alternative rock that the media identified with label ("bad", at least according to Thurston Moore of Sonic Youth) to grunge. It was the anniversary of the birth of Sub Pop Records by Bruce Pavitt and Jonathan Poneman, the first steps of young talent who then gave birth to bands like Nirvana and Mudhoney, Calvin Johnson of K Records and the definition of aesthetics- fi, of a movement of musicians, clubs, fanzines and labels that gave shape some of the best experiences and most enduring of American independent rock. Michael Lavine came to Seattle in 1982, from Denver, right after graduation. In Olympia, an hour's drive, shared the apartment with two young punks, one of them made him feel X Wild Gift of opening up a sea of \u200b\u200bpossibilities and musical knowledge. He began to throw with greater conviction in photography and in a few years was able to document, with his shots, almost all the underground music scene back then. "Grunge" (ISBN editions, 29 €) is the book about those years of music through the best photos Lavine - not just the grunge in the strict sense, say, but the alternative rock that crossed all the Eighty U.S., from New York to Olympia Sonic Youth Beat Happening, Dinosaur Jr Amherst from Washington to the Pussy Galore - until of course at Seattle's Nirvana, Mudhoney, Screaming Trees, Soundgarden, namely which was later defined by Megan Jasper in The New York Times, "grunge". There is all the imagery and aesthetics of the time: young street punks that Lavine approached very naturally, there are the looks and the faces of boys who showed a willingness, even naive, certainly authentic and angry, to challenge conventions time through American social marginality. Their poses bold and violent attitude, but also, after all, sweet. The whole truth of a subculture caught before it became a phenomenon codified and exploited by the media and industry (flannel shirts thrown into the glamorous world of Marc Jacobs). Musicians who "made his own and showing off how they were called to the school: loser, losers" - Thurston Moore writes in the preface of the book. Moore paints a profile of the work of Lavine of those years and especially advanced features and reflections on the fate of a subculture that, following the explosion of Nirvana's Nevermind and the "failure to recognize the true meaning of their cultural heritage created a commercial phenomenon of underground fake. " "The band of this generation," says Moore, "had learned from punk that the awards are a small thing in rock'n'roll. What really mattered was to be able to sustain the gaze of an audience, a camera, the world as a mirror that challenges you to be broken. " ( Unione Sarda ) 
Before becoming a photographer of great fame required to Hollywood stars, rappers and rock giants, Michael Lavine has had its own art education and sentimental el'Olympia the Seattle underground of the early eighties, during the years when he began to develop quite naturally a beautiful punk ferment that led eventually to the explosion of alternative rock that the media identified with label ("bad", at least according to Thurston Moore of Sonic Youth) to grunge. It was the anniversary of the birth of Sub Pop Records by Bruce Pavitt and Jonathan Poneman, the first steps of young talent who then gave birth to bands like Nirvana and Mudhoney, Calvin Johnson of K Records and the definition of aesthetics- fi, of a movement of musicians, clubs, fanzines and labels that gave shape some of the best experiences and most enduring of American independent rock. Michael Lavine came to Seattle in 1982, from Denver, right after graduation. In Olympia, an hour's drive, shared the apartment with two young punks, one of them made him feel X Wild Gift of opening up a sea of \u200b\u200bpossibilities and musical knowledge. He began to throw with greater conviction in photography and in a few years was able to document, with his shots, almost all the underground music scene back then. "Grunge" (ISBN editions, 29 €) is the book about those years of music through the best photos Lavine - not just the grunge in the strict sense, say, but the alternative rock that crossed all the Eighty U.S., from New York to Olympia Sonic Youth Beat Happening, Dinosaur Jr Amherst from Washington to the Pussy Galore - until of course at Seattle's Nirvana, Mudhoney, Screaming Trees, Soundgarden, namely which was later defined by Megan Jasper in The New York Times, "grunge". There is all the imagery and aesthetics of the time: young street punks that Lavine approached very naturally, there are the looks and the faces of boys who showed a willingness, even naive, certainly authentic and angry, to challenge conventions time through American social marginality. Their poses bold and violent attitude, but also, after all, sweet. The whole truth of a subculture caught before it became a phenomenon codified and exploited by the media and industry (flannel shirts thrown into the glamorous world of Marc Jacobs). Musicians who "made his own and showing off how they were called to the school: loser, losers" - Thurston Moore writes in the preface of the book. Moore paints a profile of the work of Lavine of those years and especially advanced features and reflections on the fate of a subculture that, following the explosion of Nirvana's Nevermind and the "failure to recognize the true meaning of their cultural heritage created a commercial phenomenon of underground fake. " "The band of this generation," says Moore, "had learned from punk that the awards are a small thing in rock'n'roll. What really mattered was to be able to sustain the gaze of an audience, a camera, the world as a mirror that challenges you to be broken. " ( Unione Sarda ) Thursday, December 9, 2010
Liquor As Hand Luggage
Listmania. Albums and songs of 2010 on
If a couple of years ago I had been told that Ariel Pink would have made my hard-of-the-years-2010 I probably would have said that an author so dispersed, marginal, off stage, ran the risk, in my opinion, to remain only a great curiosity for lovers of the underground more marginal and is unlikely to be able to make a record with the strength to come out well-protected niches of the music of absolute worship. But no. Not only because then he has succeeded in creating an aesthetic music over the past two years has resulted in several vital currents in contemporary music - after all, the hypnagogic pop, the glo-fi or whatever you want to call it, has a lot to him - but also because in the end was able to channel everything good that has done over the years into a record that is exemplary ability to synthesize, pure and simple beauty of the songs, the idea of \u200b\u200bsound and arrangement. At the end Before Today reveals Ariel Pink, quite simply, as one of the greatest writers of songs came out over the year zero.
So here is my year of music in a list. The 15 albums that I listened to slash more appreciated during the year: very electronic, dubstep and neighboring areas (James Blake, Mount Kimbe) and others (Flying Lotus, Gonjasufi, Caribou, Four Tet, LCD Soundsystem), extraordinary returns like the Swans or confirmations as important as that of Wovenhand, hip hop (Kanye West and Big Boi), only one disk, say, indie-rock, that of Deerhunter. Here is the list of 2009. Separately, below the 5 Italian records in alphabetical order. And the list of the forty songs on the link to listen.
1. Ariel Pink, Before Today (4AD)
2. Deerhunter, Halcyon Digest (4AD)
3. Gonjasufi, A Sufi and a Killer (Warp)
4. Flying Lotus, cosmogram (Warp)
5. Caribou, Swim (Merge)
6. Swans, My Father Will Guide Me Up a Rope to the Sky (Young God Records)
7. Crystal Castles, Crystal Castles (Fiction/Last Gang/Universal Motown)
8. Kanye West, My Beautiful Dark Twisted Fantasy (Def Jam/Roc-a-fella)
9. Janelle Monae, The Archandroid (Bad Boy/ Wondaland Arts Society)
Lyrics
1. Deerhunter, Helicopter (4AD)
2. Caribou, Sun (Merge)
3. Four Tet, Plastic People (Domino)
4. Ariel Pink, Round and Round (4AD)
5. Sleigh Bells, Rill Rill (NEET / Mom & Pop)
6. Kanye West Blame Game (Def Jam/ Roc-a-Fella)
7. Crystal Castles feat. Robert Smith, Not in Love (Fiction)
8. The National, Bloodbuzz Ohio (4AD)
9. Arcade Fire, The Suburbs (Merge)
10. Liars, Scarecrows on a Killer Slant (Mute)
11. James Blake, I Only Know (What I Know) (R&S)
12. LCD Soundsystem, I Can Change (EMI/DFA)
13. M.I.A., Born Free (XL)
14. Ariel Pink, Bright Lit Blues Skies (4AD)
15. Deerhunter, We Would Have Laughed (4AD)
16. Caribou, Odessa (Merge)
17. Swans, Eden Prison (Young God Records)
18. Gill Scott Heron, Me and the Devil (XL)
19. Twin Sister, All Around Away We Go (Domino)
20. Big Boi, Shine Blockas (feat. Gucci Mane)
21. Janelle Monàe feat. Big Boi, Tightrope (Bad Boy)
22. Kaney West, Runaway (Def Jam/ Roc-a-Fella)
23. Twin Shadow, Castles in the Snow (Terrible/4AD)
24. How To Dress Well, Lover’s Start (Lefse)
25. Wovenhand, The Threshing Floor (Glitterhouse)
26. Dum Dum Girls, Jail La La (Sub Pop)
27. Real Estate, Out of Tune (Matador)
28. Girls, Heartbreaker (True Panther)
29. Gill Scott Heron & Jamie XX, NY Is Killing Me (XL)
30. Coyote Clean Up, Dowhill Express (I Had an Accident)
31. Drake feat. Alicia Keys, Fireworks (Deadly Slo Mo House Edit)
32. Crystal Castles, Celestica (Fiction)
33. Darkstar, Gold (Hyperdub)
34. Mount Kimbie, Would Know (Hotflush)
35. The Pains of Being Pure at Heart, Heart in Your Heartbreak (Slumberland)
36. Arcade Fire, We Used to Wait (Merge)
37. Deerhunter, Desire Lines (4AD)
38. Emeralds, Now You See Me (Editions Mego)
39. James Blake, Limit to Your Love (Atlas)
40. Crystal Castles, Vietnam (Fiction) 
If a couple of years ago I had been told that Ariel Pink would have made my hard-of-the-years-2010 I probably would have said that an author so dispersed, marginal, off stage, ran the risk, in my opinion, to remain only a great curiosity for lovers of the underground more marginal and is unlikely to be able to make a record with the strength to come out well-protected niches of the music of absolute worship. But no. Not only because then he has succeeded in creating an aesthetic music over the past two years has resulted in several vital currents in contemporary music - after all, the hypnagogic pop, the glo-fi or whatever you want to call it, has a lot to him - but also because in the end was able to channel everything good that has done over the years into a record that is exemplary ability to synthesize, pure and simple beauty of the songs, the idea of \u200b\u200bsound and arrangement. At the end Before Today reveals Ariel Pink, quite simply, as one of the greatest writers of songs came out over the year zero.
So here is my year of music in a list. The 15 albums that I listened to slash more appreciated during the year: very electronic, dubstep and neighboring areas (James Blake, Mount Kimbe) and others (Flying Lotus, Gonjasufi, Caribou, Four Tet, LCD Soundsystem), extraordinary returns like the Swans or confirmations as important as that of Wovenhand, hip hop (Kanye West and Big Boi), only one disk, say, indie-rock, that of Deerhunter. Here is the list of 2009. Separately, below the 5 Italian records in alphabetical order. And the list of the forty songs on the link to listen.
1. Ariel Pink, Before Today (4AD)
2. Deerhunter, Halcyon Digest (4AD)
3. Gonjasufi, A Sufi and a Killer (Warp)
4. Flying Lotus, cosmogram (Warp)
5. Caribou, Swim (Merge)
6. Swans, My Father Will Guide Me Up a Rope to the Sky (Young God Records)
7. Crystal Castles, Crystal Castles (Fiction/Last Gang/Universal Motown)
8. Kanye West, My Beautiful Dark Twisted Fantasy (Def Jam/Roc-a-fella)
9. Janelle Monae, The Archandroid (Bad Boy/ Wondaland Arts Society)
10. James Blake, Klavierwerke/ CMYK (R&S)
11. Big Boi, Sir Lucious Left Foot: The Son of Chico Dusty (Def Jam)
11. Big Boi, Sir Lucious Left Foot: The Son of Chico Dusty (Def Jam)
12. Four Tet, There Is Love in You
13. LCD Soundsystem, This Is Happening (EMI/DFA)
14. Wovenhand, The Threshing Floor (Glitterhouse)
15. Mount Kimbie, Crooks & Lovers (Hotflush)
Italians, in alphabetical order : Bachi from stone, quartz (Wallace). Buzz Aldrin, S / T (Unhip Records / Ghost). Iosonouncane, La macarena on Rome (props). Massimo Volume, Bad habits (The Tempest). Movie Star Junkies, A Poison Tree (Voodoo Rhythm)
Italians, in alphabetical order : Bachi from stone, quartz (Wallace). Buzz Aldrin, S / T (Unhip Records / Ghost). Iosonouncane, La macarena on Rome (props). Massimo Volume, Bad habits (The Tempest). Movie Star Junkies, A Poison Tree (Voodoo Rhythm)
Lyrics
1. Deerhunter, Helicopter (4AD)
2. Caribou, Sun (Merge)
3. Four Tet, Plastic People (Domino)
4. Ariel Pink, Round and Round (4AD)
5. Sleigh Bells, Rill Rill (NEET / Mom & Pop)
6. Kanye West Blame Game (Def Jam/ Roc-a-Fella)
7. Crystal Castles feat. Robert Smith, Not in Love (Fiction)
8. The National, Bloodbuzz Ohio (4AD)
9. Arcade Fire, The Suburbs (Merge)
10. Liars, Scarecrows on a Killer Slant (Mute)
11. James Blake, I Only Know (What I Know) (R&S)
12. LCD Soundsystem, I Can Change (EMI/DFA)
13. M.I.A., Born Free (XL)
14. Ariel Pink, Bright Lit Blues Skies (4AD)
15. Deerhunter, We Would Have Laughed (4AD)
16. Caribou, Odessa (Merge)
17. Swans, Eden Prison (Young God Records)
18. Gill Scott Heron, Me and the Devil (XL)
19. Twin Sister, All Around Away We Go (Domino)
20. Big Boi, Shine Blockas (feat. Gucci Mane)
21. Janelle Monàe feat. Big Boi, Tightrope (Bad Boy)
22. Kaney West, Runaway (Def Jam/ Roc-a-Fella)
23. Twin Shadow, Castles in the Snow (Terrible/4AD)
24. How To Dress Well, Lover’s Start (Lefse)
25. Wovenhand, The Threshing Floor (Glitterhouse)
26. Dum Dum Girls, Jail La La (Sub Pop)
27. Real Estate, Out of Tune (Matador)
28. Girls, Heartbreaker (True Panther)
29. Gill Scott Heron & Jamie XX, NY Is Killing Me (XL)
30. Coyote Clean Up, Dowhill Express (I Had an Accident)
31. Drake feat. Alicia Keys, Fireworks (Deadly Slo Mo House Edit)
32. Crystal Castles, Celestica (Fiction)
33. Darkstar, Gold (Hyperdub)
34. Mount Kimbie, Would Know (Hotflush)
35. The Pains of Being Pure at Heart, Heart in Your Heartbreak (Slumberland)
36. Arcade Fire, We Used to Wait (Merge)
37. Deerhunter, Desire Lines (4AD)
38. Emeralds, Now You See Me (Editions Mego)
39. James Blake, Limit to Your Love (Atlas)
40. Crystal Castles, Vietnam (Fiction)
Tuesday, December 7, 2010
Vigamox Use Past Expiration Date
1st Meeting of St. Joseph - 18 / 19 / 20 March 2011
Dear Friends campers, first we want to celebrate with you the Father's Day .
Program
18 to 19 March 2011 Friday-Saturday reception and logging crews in Montepulciano, Tuscany Station Square (Market Square)
March 19, 2011 Saturday
16.00 Shuttle bus for a guided visit to the town of Montepulciano, Pearl 500, Orange Flag: The Temple of San Biagio: exemplary construction of the sixteenth century Tuscan Square Grande: the most elegant square in Italy, the scene of the famous film "New Moon" and visit City Hall to the Tower for an interesting scene: from Siena to Monte Amiata, Lake Trasimeno to Subasio, visit the world's most beautiful winery Cantina Redi, also known as the Cathedral of the wine, where in sacred silence, in the philosophy of producing great red wines, Vino Nobile di Montepulciano ages.
20.00 Hours Dinner at a restaurant with traditional dishes and pancakes Tuscan S. Joseph to celebrate the "Festa del Papa" (possible on request)
March 20, 2011
Ore10 Sunday, 00 family ride Reclamation along the path of the Canal Maestro della Chiana: time travel in the heart of the Etruscan civilization. ( offered by the historian of the Franco Valdichiana Mr. Woods ). Arrival at Lake Nature Reserve Montepulciano important staging point for birds moving seasonally from African countries to Europe: rare birds and endangered such as the bittern and duck diving; less rare species like the white heron , and red heron, the mallard, the widgeon, the moorhen, the gadwalls ... ...
Possibility of small trails on foot or by boat tour. (For those unable to reach the nature reserve by bicycle, will be offered a shuttle service) Also in the morning there will be a demonstration dog for rescue.
13.30 Lunch buffet with local products (possible on request)
Greetings from 15.00 to 16.00 hours.
BOOKING ON-LINE : camperclubmontepulciano@gmail.com
Tel: 0578/738404
MENU 'BUFFET OF THE LAKE 20 March 2011
Dear Friends campers, first we want to celebrate with you the Father's Day .
Program
18 to 19 March 2011 Friday-Saturday reception and logging crews in Montepulciano, Tuscany Station Square (Market Square)
March 19, 2011 Saturday
16.00 Shuttle bus for a guided visit to the town of Montepulciano, Pearl 500, Orange Flag: The Temple of San Biagio: exemplary construction of the sixteenth century Tuscan Square Grande: the most elegant square in Italy, the scene of the famous film "New Moon" and visit City Hall to the Tower for an interesting scene: from Siena to Monte Amiata, Lake Trasimeno to Subasio, visit the world's most beautiful winery Cantina Redi, also known as the Cathedral of the wine, where in sacred silence, in the philosophy of producing great red wines, Vino Nobile di Montepulciano ages.
20.00 Hours Dinner at a restaurant with traditional dishes and pancakes Tuscan S. Joseph to celebrate the "Festa del Papa" (possible on request)
March 20, 2011
Ore10 Sunday, 00 family ride Reclamation along the path of the Canal Maestro della Chiana: time travel in the heart of the Etruscan civilization. ( offered by the historian of the Franco Valdichiana Mr. Woods ). Arrival at Lake Nature Reserve Montepulciano important staging point for birds moving seasonally from African countries to Europe: rare birds and endangered such as the bittern and duck diving; less rare species like the white heron , and red heron, the mallard, the widgeon, the moorhen, the gadwalls ... ...
Possibility of small trails on foot or by boat tour. (For those unable to reach the nature reserve by bicycle, will be offered a shuttle service) Also in the morning there will be a demonstration dog for rescue.
13.30 Lunch buffet with local products (possible on request)
Greetings from 15.00 to 16.00 hours.
BOOKING ON-LINE : camperclubmontepulciano@gmail.com
Tel: 0578/738404
MENU 'BUFFET OF THE LAKE 20 March 2011
mixed crostini
Tuscan cured
BRUSCHETTE (oil, tomatoes, mushrooms)
SPELT SALAD COLD PASTA SALAD
porchetta MONTEPULCIANO
DESSERTS BREAD OF PLACE: Mantovani and TART
water, wine, VINSANTO
DINNER AT THE RESTAURANT FOR THE FEAST OF SAINT JOSEPH :
ANTIPASTISSIMO WITH MEAT TUSCAN
FANTASY OF CROUTONS HOT AND COLD TOMATO
Bruschettini
CROSTONCINO with lard
VOULEVENT SCENTED WOOD
Polenta CHEESE
RIBOLLITA
PICI HAND MADE HANDMADE AL RAGU 'CINTA SENESE
PANCAKES TUSCANY WINE WATER SAN GIUSEPPE
MOSCATO CAFFE '
Thanks to Photoclub Police / Adriano Farina for photos.
Thanks to Photoclub Police / Adriano Farina for photos.
Monday, November 22, 2010
Hair Straighteners Heat Mat
art to portray the hindquarters
review for Little Angel Face Trailer - bilingual feathered creature of surgeons Juliet Cook and Letizia Merello - Blog of the poet Margaret Bashir http://pluckedfromogygia.blogspot.com/2010/ 11/micro-reviews.html
Special for lovers: a humble Arterotica on food for special section devoted to the painting of Clovis Trouille, by the undersigned: http://www.arterotica.eu/3767-clovis-trouille voyerismo.htm-
Get an idea:
review for Little Angel Face Trailer - bilingual feathered creature of surgeons Juliet Cook and Letizia Merello - Blog of the poet Margaret Bashir http://pluckedfromogygia.blogspot.com/2010/ 11/micro-reviews.html
Special for lovers: a humble Arterotica on food for special section devoted to the painting of Clovis Trouille, by the undersigned: http://www.arterotica.eu/3767-clovis-trouille voyerismo.htm-
Get an idea:
Thursday, November 18, 2010
Vitamin C And Rosacea
hypnagogic and related things
There is a cultural trend taking place in the world of music - and in many areas of youth culture - that can be summed up as a sort of "Remembrance of Things Past" that converge in the postmodern construction of a shared memory which uses analog as Lomo and Polaroid photographs, music with hints of low fidelity to sounds of the past - a bit 'as if they were coming out of an old radio was found by some time scale -, often conveyed by music formats such as cassettes and obsolete by video post-production trying to recreate the colors of the images in super 8 or even the VHS. It is a memory out of phase, distance, recalling a childhood imaginary and idealized deeply that takes on the pastel colors and images in low fidelity Analog Photography and sounds of some fuzzy lo-fi music produced over the past two years. A place of imagination, vague and full of nostalgia, paradoxical and ever present together, in which we are immersed in this infinite where past and future recombine constantly assuming new meanings. What drives a guy raised in the year zero, in a world almost completely digitized, to establish a relationship with almost fetishistic objects obsolete and to build an aesthetic that is reminiscent of the generations of the seventies and eighties? It's just a trend, cyclical, like the vintage, or is there a deeper reason?
In 2009 he began to turn an artist called Washed Out, true name Ernest Green, a native of Georgia. One photo shows him with his face superimposed in the foreground to the background of a stormy sea, on a cliff indefinable. The effect is recreated through a Lomo camera manual born in Russia in the twenties of the last century and revived in the year zero, when the company was put into production at the Lomography Holga and Diana variety. To change the frame of the film should turn the lever and go to the next. But you can make two shots in the same frame, resulting in a superposition of two different photos (double exposure). The trip is deeply back. It may have been made the other day as in the seventies, why not coordinate precise time. And the same goes for music Washed Out, which has the placid pace of a electro-pop eighties, but with a job on the sound that tends to recreate the conditions of play of the decade, or at least is supposed to be , as if listening to a radio battered happen or as if the songs were recorded on a tape that had been recorded. On the Web began to turn video clips made by fans who used images of old movies, TV shows eighties, who played well the cultural context which recalled the songs - the nostalgia, memory, memories, images that have populated the youth boys between 25 and 30 and passes back into vogue and so slightly deformed. In an article in The Wire on the movement of bands that perform similar operations (Neon Indian, Memory Tapes, Ariel Pink, Julian Lynch, etc.), the critic David Keenan spoke of an aesthetic based on "memory of the memory," which the music started to radiate throughout. The bands that do this work on memory there have been countless more, but it's not just the music: video clips of the years of the three years from 2008 to today are a riot of colors like grainy Super 8. And even the covers of records, and many of the same promotional photos, I share a similar aesthetic, as noted on Pitchfork.com in a very article documented that he tried to fix the coordinates more general: "We are getting nostalgic towards specific items from our youth, or our memories, but for surfaces and shapes of objects that look old, and generalized types of memories." The litter box is an emblem of this trend. Subject to emotional definition, which refers to a compilation made up of youth with handwritten titles and artists and afternoons spent to record songs from radio, over the past two years has made a comeback in a completely unpredictable. It is as if you were creating a form of memory in a posthumous currently suspended temporarily. And the music involves more general issues, such as our relationship with these technologically advanced years (and the consequences producing on our lives). There are those who connects, as does Pitchork, the difficulty of growing up today. Time dilation in adolescence and young adulthood. Unlike previous generations, they had a way of life defined in the channels of work and family, with a degree of stability and of the sections more or less precisely articulated, the latest generation faces a completely different time: the work goes away, make a family is sent back to better times. A Polaroid shot, so full of nostalgia, seems to point to that time, illusory, are perceived as easier. ( Unione Sarda )
In 2009 he began to turn an artist called Washed Out, true name Ernest Green, a native of Georgia. One photo shows him with his face superimposed in the foreground to the background of a stormy sea, on a cliff indefinable. The effect is recreated through a Lomo camera manual born in Russia in the twenties of the last century and revived in the year zero, when the company was put into production at the Lomography Holga and Diana variety. To change the frame of the film should turn the lever and go to the next. But you can make two shots in the same frame, resulting in a superposition of two different photos (double exposure). The trip is deeply back. It may have been made the other day as in the seventies, why not coordinate precise time. And the same goes for music Washed Out, which has the placid pace of a electro-pop eighties, but with a job on the sound that tends to recreate the conditions of play of the decade, or at least is supposed to be , as if listening to a radio battered happen or as if the songs were recorded on a tape that had been recorded. On the Web began to turn video clips made by fans who used images of old movies, TV shows eighties, who played well the cultural context which recalled the songs - the nostalgia, memory, memories, images that have populated the youth boys between 25 and 30 and passes back into vogue and so slightly deformed. In an article in The Wire on the movement of bands that perform similar operations (Neon Indian, Memory Tapes, Ariel Pink, Julian Lynch, etc.), the critic David Keenan spoke of an aesthetic based on "memory of the memory," which the music started to radiate throughout. The bands that do this work on memory there have been countless more, but it's not just the music: video clips of the years of the three years from 2008 to today are a riot of colors like grainy Super 8. And even the covers of records, and many of the same promotional photos, I share a similar aesthetic, as noted on Pitchfork.com in a very article documented that he tried to fix the coordinates more general: "We are getting nostalgic towards specific items from our youth, or our memories, but for surfaces and shapes of objects that look old, and generalized types of memories." The litter box is an emblem of this trend. Subject to emotional definition, which refers to a compilation made up of youth with handwritten titles and artists and afternoons spent to record songs from radio, over the past two years has made a comeback in a completely unpredictable. It is as if you were creating a form of memory in a posthumous currently suspended temporarily. And the music involves more general issues, such as our relationship with these technologically advanced years (and the consequences producing on our lives). There are those who connects, as does Pitchork, the difficulty of growing up today. Time dilation in adolescence and young adulthood. Unlike previous generations, they had a way of life defined in the channels of work and family, with a degree of stability and of the sections more or less precisely articulated, the latest generation faces a completely different time: the work goes away, make a family is sent back to better times. A Polaroid shot, so full of nostalgia, seems to point to that time, illusory, are perceived as easier. ( Unione Sarda )
Wednesday, November 17, 2010
Fibroid In The Anterior Aspect Of The Myometrium
But how Hipster pretend not to be
There is a ruling of the Guardian that goes something like this: "In the autumn winter 2010/2011, if there is one thing being the most fashionable hipsters, the hipster is to laugh." It is contained in an article Alex Rayner in the title asks, "why people hate the hipster" and browsing the blogs that target youth subculture that is the most controversial of the year zero. But who are the hipsters? And why is there so much animosity around them? Some features you can see a watermark in a hilarious comic strip published on the web, Hipster Hitler , politically incorrect satire in which the German dictator is portrayed on the one hand combed forelock (aka emo bunch), retro-rimmed glasses, bike, t-shirts with slogans ironic (eg Eva 4 Eva, in slang, to read "Eva forever") and cardigan. In the cartoon Hitler is arrogant, a snob and has enough attitude that exaggerates its hierarchy. The death ray hurled against the enemy is to make them ashamed of their tastes cheesy. Takes issue with German athletes during a game show because of too much effort to get first. He complains to the doctor because he has contracted syphilis and syphilis have it all while he was hoping for a more rare disease such as amyotrophic lateral sclerosis. Obviously joke, but one point is clear: the critics "do not know exactly what are the hipsters, but they know that they do not like them." In general descriptions that fix some of the general characteristics dell'hipsterismo we start from clothing. Mesh with V-necks from American Apparel (brand of), tight jeans, hats, cardigans and plaid shirts, vintage stuff, ironic mustaches or beards, lumberjack American (note: not necessarily use some of these things makes a person a hipster ). These are guys with a keen sense of fashion, very specific tastes in music (indie, above), hostile positions toward the mainstream culture, a real obstinate towards "authenticity" and a strong ironic attitude, which reveals itself in the appropriation of such scraps of pop culture and in their positive claims. I am deeply consumerist and treat their tastes so elitist. They seek novelty and discarded when it gets to the general public. They read "Vice Magazine", Parliament cigarettes they smoke and drink Pabst Blue Ribbon beer, spinning bike, working in the field of fashion, music, art and marketing. Dell'hipsterismo bear the marks but do not accept that definition itself. Compose certain generic characteristics (which will not necessarily focus on any one individual and which may verge on the cliché), it is to understand why the hostility against them. Because while that may not like their representation is a cliché (snobbery, some taste in clothing too, the photos from "poser" that run on the network), there are those who articulates his criticism much more in depth. Collin Horgan the Guardian for example seen in the hipster nothing more than a generation of consumers, a "manifestation of late capitalism that is nourished always shine in the here and now: an impatient crowd that has learned to discard the products faster than they had adopted. " And an article published a couple of years ago on Adbuster pointed out that with the hipster counterculture "Has muteted into a self-obsessed Aesthetic vacuum" in an article entitled "Hipster: The Dead End of Western Civilization." None. ( Released some time ago in L'Unione Sarda ) 
There is a ruling of the Guardian that goes something like this: "In the autumn winter 2010/2011, if there is one thing being the most fashionable hipsters, the hipster is to laugh." It is contained in an article Alex Rayner in the title asks, "why people hate the hipster" and browsing the blogs that target youth subculture that is the most controversial of the year zero. But who are the hipsters? And why is there so much animosity around them? Some features you can see a watermark in a hilarious comic strip published on the web, Hipster Hitler , politically incorrect satire in which the German dictator is portrayed on the one hand combed forelock (aka emo bunch), retro-rimmed glasses, bike, t-shirts with slogans ironic (eg Eva 4 Eva, in slang, to read "Eva forever") and cardigan. In the cartoon Hitler is arrogant, a snob and has enough attitude that exaggerates its hierarchy. The death ray hurled against the enemy is to make them ashamed of their tastes cheesy. Takes issue with German athletes during a game show because of too much effort to get first. He complains to the doctor because he has contracted syphilis and syphilis have it all while he was hoping for a more rare disease such as amyotrophic lateral sclerosis. Obviously joke, but one point is clear: the critics "do not know exactly what are the hipsters, but they know that they do not like them." In general descriptions that fix some of the general characteristics dell'hipsterismo we start from clothing. Mesh with V-necks from American Apparel (brand of), tight jeans, hats, cardigans and plaid shirts, vintage stuff, ironic mustaches or beards, lumberjack American (note: not necessarily use some of these things makes a person a hipster ). These are guys with a keen sense of fashion, very specific tastes in music (indie, above), hostile positions toward the mainstream culture, a real obstinate towards "authenticity" and a strong ironic attitude, which reveals itself in the appropriation of such scraps of pop culture and in their positive claims. I am deeply consumerist and treat their tastes so elitist. They seek novelty and discarded when it gets to the general public. They read "Vice Magazine", Parliament cigarettes they smoke and drink Pabst Blue Ribbon beer, spinning bike, working in the field of fashion, music, art and marketing. Dell'hipsterismo bear the marks but do not accept that definition itself. Compose certain generic characteristics (which will not necessarily focus on any one individual and which may verge on the cliché), it is to understand why the hostility against them. Because while that may not like their representation is a cliché (snobbery, some taste in clothing too, the photos from "poser" that run on the network), there are those who articulates his criticism much more in depth. Collin Horgan the Guardian for example seen in the hipster nothing more than a generation of consumers, a "manifestation of late capitalism that is nourished always shine in the here and now: an impatient crowd that has learned to discard the products faster than they had adopted. " And an article published a couple of years ago on Adbuster pointed out that with the hipster counterculture "Has muteted into a self-obsessed Aesthetic vacuum" in an article entitled "Hipster: The Dead End of Western Civilization." None. ( Released some time ago in L'Unione Sarda )
Monday, November 1, 2010
Watering System For Rabbits
Updates minimal.
New translations (the quartz fatigue Silkworms Stone): http://www.bachidapietra.com/
New dissections ( the poetic corpus Juliet Cook on Arterotica): http://www.arterotica.eu/3762-juliet-cook-poesia.htm
More in progress ... 
New translations (the quartz fatigue Silkworms Stone): http://www.bachidapietra.com/
New dissections ( the poetic corpus Juliet Cook on Arterotica): http://www.arterotica.eu/3762-juliet-cook-poesia.htm
More in progress ...
Friday, October 22, 2010
Dslr Beginner Try Out Lessons
Iosonouncane, La macarena on Rome (props)
( This piece came out today on Sarda in a shorter version. laid the full review here. The record may to stream here )
strange breed of singer-songwriter to Iosonouncane, nom de plume of James buggerraio Incani debut on disc today (the macarena on Rome) for the Italian label props. Singer / Songwriter in the literal sense and in the broadest sense: that first one who writes his lyrics with a strong authorial vocation and that ultimately is part of an Italian tradition that leads down to the Gaber, From within, De André, but at the same time is able to extend the boundaries of literal with a visionary approach, immersing the melodies of his songs in a musical maelstrom of sounds dirty, loops, beats, percussion and beatbox samples awkward products, toy cars and various keypads. It is in the midst of this tension between the melody and attitude from sapper music that James has found his stylistic staff, in support of a writing that gutter words one after the other using his personal obsessions as the key to the company. The voice then, a voice exacerbated, mocking, bitterly sarcastic which tells stories from his grotesque fishing experience (unemployment, job insecurity, work for two years in a call center), the imaginary television and news reports revised in controversial and satirical. At first, it must be said, listening to the album can be confusing, but once you find the key to all the surprises levels. Since the opening of "Summer on a crowded beach," the story of a sinking of a boat of illegal immigrants and the reactions of cynicism and indifference of the people on the beach ("A wild crowd that clamored for the version in the flesh deaths seen on TV "), which closes with an overlap of hellish voices singing the" po-po-po "World Cup in Berlin, on which James then angrily shouts:" Mother does not know how to swim, help. Drink black, you're a nigger, drink, drink. " Alienating. Play again with the voice in a dialogue with Gramsci, who confesses to mandate curriculum for all and that even the Upim took him, "Look forget it", and in this phrase captures the spirit literally worn down by an army of new proletarians with no hope in the future. And then, the blob apocalyptic staged inside an apartment of 35 square feet of a man sitting on a sofa in front of the TV (the beautiful title track), the touching recollections of personal events in the corpus delicti, or the theater The goal of famous football de hand, one of the pieces "easier" disc, which suggests that deep beyond apparel music with which they are dressed (which is still a necessary part of his proposal) will also work with many pieces a guitar and little else. As it happens only when there is a real talent in writing tout court. Disc beautiful, difficult and importantly, the business card of one of the most original and intense on the Italian scene. ( Andrea Tramonte, Unione Sarda )
strange breed of singer-songwriter to Iosonouncane, nom de plume of James buggerraio Incani debut on disc today (the macarena on Rome) for the Italian label props. Singer / Songwriter in the literal sense and in the broadest sense: that first one who writes his lyrics with a strong authorial vocation and that ultimately is part of an Italian tradition that leads down to the Gaber, From within, De André, but at the same time is able to extend the boundaries of literal with a visionary approach, immersing the melodies of his songs in a musical maelstrom of sounds dirty, loops, beats, percussion and beatbox samples awkward products, toy cars and various keypads. It is in the midst of this tension between the melody and attitude from sapper music that James has found his stylistic staff, in support of a writing that gutter words one after the other using his personal obsessions as the key to the company. The voice then, a voice exacerbated, mocking, bitterly sarcastic which tells stories from his grotesque fishing experience (unemployment, job insecurity, work for two years in a call center), the imaginary television and news reports revised in controversial and satirical. At first, it must be said, listening to the album can be confusing, but once you find the key to all the surprises levels. Since the opening of "Summer on a crowded beach," the story of a sinking of a boat of illegal immigrants and the reactions of cynicism and indifference of the people on the beach ("A wild crowd that clamored for the version in the flesh deaths seen on TV "), which closes with an overlap of hellish voices singing the" po-po-po "World Cup in Berlin, on which James then angrily shouts:" Mother does not know how to swim, help. Drink black, you're a nigger, drink, drink. " Alienating. Play again with the voice in a dialogue with Gramsci, who confesses to mandate curriculum for all and that even the Upim took him, "Look forget it", and in this phrase captures the spirit literally worn down by an army of new proletarians with no hope in the future. And then, the blob apocalyptic staged inside an apartment of 35 square feet of a man sitting on a sofa in front of the TV (the beautiful title track), the touching recollections of personal events in the corpus delicti, or the theater The goal of famous football de hand, one of the pieces "easier" disc, which suggests that deep beyond apparel music with which they are dressed (which is still a necessary part of his proposal) will also work with many pieces a guitar and little else. As it happens only when there is a real talent in writing tout court. Disc beautiful, difficult and importantly, the business card of one of the most original and intense on the Italian scene. ( Andrea Tramonte, Unione Sarda )
Wednesday, October 20, 2010
Fluttering Upper Abdomen
The guide to modern music of Wire (Isbn editions)
Although dirges in honor of music journalism paper are wasted and are sung on a regular basis (recently on Drowned in Sound , for example), actually still live and struggle with us how important magazines The Wire, which remains a reference point for contemporary music in years in which the musical information travels much more often through blogs and social networking and how deeply changed. The British magazine - founded in 1982 by Anthony Wood and Chrissie Murray - is a must-read for professionals, musicians and music lovers "advanced" from around the world, a newspaper can range from electronica to contemporary classical, from 'improvisation as well as jazz, rock more adventurous, being able to go a bit 'deeper nell'intuire other new music more relevant. A test of the look of the magazine is the book just published by the publishing house in Milan Isbn Edizioni, "The guide to modern music of The Wire" (224 pp., 24 €), a listening guide prepared by Rob Young - with the contribution of best employees of the newspaper - which explores the musical seasons and the artists who changed the course of history through radical experimentation, new approach to the construction of the music, unusual contamination, revisiting the use of musical instruments, technological innovations. A guide, in short, to "all intelligent disks you should know ", as the subtitle of the Italian. "The aim of the book moves up and down," Rob Young writes in the introduction, "both in a geographical and historical, from Brazil to the counterculture of the late sixties to the inhabitants of the impoverished downtown New York at the end of seventy by the studios of Radio France after World War II to the bedroom as a teenager dubstep producers of Twenty-First Century. " If in improv / jazz are proposed to the discographies unconventional characters like the great guitarist Derek Bailey and saxophonist Ornette Coleman ("figures of more concern, and their primer serve as re-evaluations of their work and their careers, "writes Young), and contemporary classical names such as John Cage, Morton Feldman, Karlheinz Stockhausen and location within the development of concrete music, including rock has its senior representatives - visionaries the likes of Frank Zappa and Captain Beefheart, Sonic Youth and The Fall, "Noisers" and the heat - as well as black music (and here James Brown and Fela Kuti are the masters). There is only the past, however, a sign that the current music has much to say in terms of new developments and contamination unknown. For example, the chapters of grime and dubstep. The first, written by Simon Reynolds explores the birth of a genre that has also had important developments in mainstream (MIA was the first starlet grime, The Streets of London rose from the undergrowth to the glitter of the pop charts). A genre that was born in British pirate radio movement drawing from the two-step to include "Rapp scraping, the wood influence of electro beats and bristling aggression, use of synthesizers that can produce" dirty tones that evoke the eighties and often seem to betray the influence of pulp movie soundtracks, music for video games and even cell phone ringtones. In Derek Walmsley instead emphasizes the extreme obsession with the vibrations of the bass featuring producers dubstep, weaving the two-step in this case with "austere and morose instrumental". "Traces of artists such as Burial and Shackleton," Walmsley says, "are the most elegiac and expressive electronic music can offer." ( Andrea Tramonte, Unione Sarda )
Sunday, October 17, 2010
Heartgold Anti Freeze Patched Rom
Angel Face Trailer: the body (the offense) to an end.
Ladies and Siori, the last remnants of the banquet pornoetico: the last paper copy of Angel Face Trailer, Juliet Cook's poems and translated into Italian by Letizia Merello + bonus track "co-written (not included in the version in PDF, downloadable in a couple of posts here), will be available until October 31 2010 all'allusivo prezzo di 6,90 EUR (spedizione inclusa).
Chiunque sia interessato a possedere il feticcio può contattare la sottoscritta all'indirizzo biancaredenzione@gmail.com. 
Ladies and Siori, the last remnants of the banquet pornoetico: the last paper copy of Angel Face Trailer, Juliet Cook's poems and translated into Italian by Letizia Merello + bonus track "co-written (not included in the version in PDF, downloadable in a couple of posts here), will be available until October 31 2010 all'allusivo prezzo di 6,90 EUR (spedizione inclusa).
Chiunque sia interessato a possedere il feticcio può contattare la sottoscritta all'indirizzo biancaredenzione@gmail.com.
Saturday, October 9, 2010
Asthmatic With Bronchitis
Interview Zen Circus
The Zen Circus are made in their own way: stinging, maybe a little 'populist, angry and absolutely over the top. Take it or leave it. Even when they say that we are all "people of shit" ("the wind that scatters"), which we must all go aff. When they stage a theater of everyday life and chipped the province where their eyes can see chronic illness, anger, spleen , disillusionment. They sing this outspoken and not try to sweeten the pill. It is their way of seeing reality, and I will slam in your face. A condensed rage inside an envelope of music from folk-punk wave and always welcomes coloring you put into words flecked sour their verve by toscanaccio true. "Rather than going over the top we are under the lines, since the bar of indecency has risen increasingly upward," says UFO, the bassist of the trio in concert tonight at Pisa to Cagliari in the Civic Theatre Karel Music Expo, organized by Vox Day "In our cynical words, there is certainly a component, but it is the cynicism of our Tuscan, which is quite acidic and can be confused with defeatism. It comes from impatience we always hatched in sixteen-year career, but now that we sing in Italian emerge with greater poignancy. " The Zen Circus - Appino, Skull and Ufo - born in 1994 and since then they have released six albums, the last one ("Go fuck all", released on Unhip Records and The Tempest, a title which is "a tribute to anything and everything that makes a lot of power in Italy") is the first ever to be written entirely in the language of Dante. Perhaps that's why words come first and most striking. "We toured the country for a long time and we love Italy," gloss still the bass player, "but because we love Italy we turn the boxes to see how a country that promises so much has been stranded in this way." The strategy, if you can call it, the Zen is easily summed up: "trying to provoke the indignation of the people who this has not been more outraged if not for things that do not matter. The country was deserted, although there are many people with great potential, a legion of good guys, artists, workers, associations, but fails to reverse the moral climate that is in this country. " But do not just think of them as a group that shoots judgments on the society in which we live. Because it is ultimately a light-hearted group of guys from the bar and easily one of the best live band in Italy, able to take the stage like few others. Where the component songwriting of the band takes a backseat in favor of a much rock. In fact, especially in recent records, it is sometimes showed a softer approach that might also involve the use of Italian and a more direct comparison with the Italian musical tradition. "Now that we are bigger than we can deal with the language. We come from punk rock, music Anglophone rock for us is this. But as time goes on more and accept the comparison with Italian music. But regarding possible influences in this tradition, I think a lot depends on an identification which is activated in the listener, and if you listen to something rough and sound in your language declined, perhaps no longer think the Violent Femmes but Rino Gaetano. On the other hand I think if one extracts the text and only the music we hear is rock regardless. I stopped believing in the distinction between Italian and English rock: there is an Italian rock. I see the Zen as a rock band, who incidentally sings in Italian. Then of course we did a little 'peace with our past Italian, but remained firmly in the rock. (Andrea Tramonte, Unione Sarda )
Sunday, September 26, 2010
Replacing Boombox Antenna
O2S
The last two were born at home On2Sides . And if all goes well, by 2010 we will arrive with six outputs ...
Friday, September 10, 2010
Messages About Christening
Reporting
Here you can listen to the podcast episode of The Box Rodolfo Calories - broadcast every Thursday on Radio X - signed with the host ... 
Here you can listen to the podcast episode of The Box Rodolfo Calories - broadcast every Thursday on Radio X - signed with the host ...
Monday, September 6, 2010
Where Can You Get Skittle Chapstick?
Interview with Vasco Brondi, Lights in the power plant
( This is more or less complete the interview I did with Vasco Brondi during September of poets Seneghe. The piece was published today in part on Sarda).
( This is more or less complete the interview I did with Vasco Brondi during September of poets Seneghe. The piece was published today in part on Sarda).
(Photo by Simon While the lights of the power plant is one of the most important musical projects left out in the Italian music of the last three or four years, it is also true Vasco Brondi - Ferrara 25-year old behind the symbol - is failing to take on a dimension that goes beyond the records, tour of die must do that every musician who wants to carry around their music. For example, since time began concert to support "traditional" reading of that manage to keep his personal impression while working with a different in substance: cover, reading music of his and others' texts, a project created in the wake of his literary work, which began on the blog, then had a consecration with publishing the book "What to tell this fucking year zero", which came out first for the small publishing house in Bologna Modo Infoshop and then in 2009 to Baldini & Castoldi. Friday and Saturday night closed the festival in September seneghese poets with the peculiar spectacle, in readings of goodnight funtana Sa de sa fortress, surrounded by people of all ages in one location so intimate and rocky, with people sitting cross-legged on the floor during the reading focused listening. It is a show for voice (sometimes shouted, as in his style), guitar and loop machine, with texts chosen from that pool of reads and hears the songs that may belong in some way. In fact, sometimes the impression is that his lyrics: it's because singing and musical style are now highly recognizable brands. "I read things that just feel so much that they become part of what I write, getting through the way I express myself," says Vasco during montiferrino afternoon interview in the country, opposite the fountain in Piazza Deriu S'arruga de Partza de Cres. "Or some excerpts from my book of sketches and lyrics and songs I have in mind. I like to mix the reading to the songs because the show gets a different pace, and even when I do a concert I like to put in reading and cover. " Specifically, in two days brought Bbb seneghesi of CCCP, Ocean Rubber Afterhours, a wonderful version of The Sunday bodies of De André, but also managed to music of literary texts, averaging them with his vocal style and music. "For example, I read the last two pages of The Invisible Nanni Balestrini," says author Ferrara. "In those pages tells the attempt by some inmates to be heard out of a prison block, not realizing that there is no more outside the world they knew before. Beat of the strokes on the bars but the sound does not reach anyone at the end will only do so for themselves and for the guards. And when the show light up the torches light comes only, perhaps, to the motorway. " And then Leo Ferret's solitude: "I met him last year, is not one of those authors that you happen to run across. An old French anarchist who moved into retirement in the Chianti area and has translated some of his texts, very strong, in Italian. When I discovered I felt a Specifically, I would have wanted to write those words. "
Brondi Vasco is an author a little 'atypical punk singer-songwriter who has managed to say the words that have managed to enter the lexicon of youth and imagination musically grown over the years zero, continues to cultivate his passion for reading and writing . "The book is a work in a musical sense, and I think that record, book and new album out in one part of the trilogy." After all the writing is: imaginative, filled full of unexpected combinations, apparently disconnected. "In fact, it can seem that way, but also lives of those who are not, who does not speak only dell'istintuale rationality to our school, "try to think about Vasco. "These images can be surprising to a Westerner but able to evoke something immediately. But then I work so much when I say it's stream of consciousness, in short, it took me two years to write ten texts ...". Instinct and "carpenter", say, with the emphasis mainly on the first pole. "Writing is something I've always done and I have never tried to rationalize why. Asking me about my style is like asking me why I have this voice. Sure, I've worked on, but in reality I associate it a bit 'to my way of playing: so punk, without technical details, I pull out what I feel in the belly ". Then there is the discourse of the imaginary Vasco, on how those words and the instinct that pulls fail to converge within the recurring themes that are part dell'armamentario "concept" of his musical and literary discourse. "It's an important issue that is likely to be trivialized by saying that I speak of the slums, the suburbs, but it is not my goal," says Brondi. "It's the fact of seeing these places as places where our things happen, which for so many reasons not happen in the historic centers. The Italian cities have beautiful historic centers around but they are mainly developed peripheral spaces, which are the ones I like. The lights of power is the creation of a world that is real and the imaginary at the same time, with characters moving in - not necessarily myself - and I like the idea of \u200b\u200bcontinuing to explore it, perhaps through the eyes of other people that may contribute to cooperate with other videos, music, graphics. It is a normal world: I think it's comforting to say that I'm talking about extreme situations or extreme things. There seem to be so only because the mainstream media ignores them. But our life is made of such situations, and are quite normal, it's just call a spade a spade. Speaking of the places where we live, people and their roles. " Meanwhile, a growing expectation for the new disc, due for release later this year and who has worked with musicians including Enrico Gabrielli. He did it quietly, without giving in to pressure and without worrying too much about the inevitable comparisons with that first record, Songs from the beach disfigured, which obviously has generated extremely high expectations for the new job. "I can not say that I have not raised the issue of waiting, they are certainly not waterproof, but I tried to work on the new hard trying not to be aware of the possible comparisons with the first," said Vasco. "I tried to detach myself and I have not even addressed the subject of a possible change. I put in a position to have nothing to lose, I have no problem to continue a career, I've been doing other things and I arranged to make them start over tomorrow. I do not make music to surprise the music criticism or praise me, I did what I wanted to do with even more freedom than before, because they are more conscious of what I do. Different things that are there are because I am different. The music is not made for a surprise, but for you hair-raising arm, to excite. "(Andrea Tramonte, Unione Sarda )
Brondi Vasco is an author a little 'atypical punk singer-songwriter who has managed to say the words that have managed to enter the lexicon of youth and imagination musically grown over the years zero, continues to cultivate his passion for reading and writing . "The book is a work in a musical sense, and I think that record, book and new album out in one part of the trilogy." After all the writing is: imaginative, filled full of unexpected combinations, apparently disconnected. "In fact, it can seem that way, but also lives of those who are not, who does not speak only dell'istintuale rationality to our school, "try to think about Vasco. "These images can be surprising to a Westerner but able to evoke something immediately. But then I work so much when I say it's stream of consciousness, in short, it took me two years to write ten texts ...". Instinct and "carpenter", say, with the emphasis mainly on the first pole. "Writing is something I've always done and I have never tried to rationalize why. Asking me about my style is like asking me why I have this voice. Sure, I've worked on, but in reality I associate it a bit 'to my way of playing: so punk, without technical details, I pull out what I feel in the belly ". Then there is the discourse of the imaginary Vasco, on how those words and the instinct that pulls fail to converge within the recurring themes that are part dell'armamentario "concept" of his musical and literary discourse. "It's an important issue that is likely to be trivialized by saying that I speak of the slums, the suburbs, but it is not my goal," says Brondi. "It's the fact of seeing these places as places where our things happen, which for so many reasons not happen in the historic centers. The Italian cities have beautiful historic centers around but they are mainly developed peripheral spaces, which are the ones I like. The lights of power is the creation of a world that is real and the imaginary at the same time, with characters moving in - not necessarily myself - and I like the idea of \u200b\u200bcontinuing to explore it, perhaps through the eyes of other people that may contribute to cooperate with other videos, music, graphics. It is a normal world: I think it's comforting to say that I'm talking about extreme situations or extreme things. There seem to be so only because the mainstream media ignores them. But our life is made of such situations, and are quite normal, it's just call a spade a spade. Speaking of the places where we live, people and their roles. " Meanwhile, a growing expectation for the new disc, due for release later this year and who has worked with musicians including Enrico Gabrielli. He did it quietly, without giving in to pressure and without worrying too much about the inevitable comparisons with that first record, Songs from the beach disfigured, which obviously has generated extremely high expectations for the new job. "I can not say that I have not raised the issue of waiting, they are certainly not waterproof, but I tried to work on the new hard trying not to be aware of the possible comparisons with the first," said Vasco. "I tried to detach myself and I have not even addressed the subject of a possible change. I put in a position to have nothing to lose, I have no problem to continue a career, I've been doing other things and I arranged to make them start over tomorrow. I do not make music to surprise the music criticism or praise me, I did what I wanted to do with even more freedom than before, because they are more conscious of what I do. Different things that are there are because I am different. The music is not made for a surprise, but for you hair-raising arm, to excite. "(Andrea Tramonte, Unione Sarda )
Tuesday, August 24, 2010
Trowel Size For 1/8 Tile
Interview with Marta Sui Tubi
Sure, Marta sui Tubi are not exactly a band able to sit still for long. As reflected in the more than 100 tour dates Sushi & coca following the release of the last self-titled album in late 2008, culminating with a stop in Sardinia in the Summer Grooves Sarroch cooperative organized by Vox Day, scheduled this Thursday at Villa Siotto Sarroch (in hours: nonsense). Witness the fact that this year the band has felt the need to "break the abstinence new song" - in the words of John Gulino, lead singer of Martha - and come out with a new single which is a starter on the new album, which still has no release date but which have been registered so far a dozen pieces (four or five already are presented in person). The song is titled Without a network, was released only on the web - you can buy it on iTunes and various online stores - and that song was also made a video clip shot by Ence Faithful and Corrado Lorenzo Vasquez available, of course, also on YouTube. "This is a song very cool, disengaged, pop, Marta Sui Tubi much musically but more carefree lyrical level," says John. "There seemed to make perfect a summer song, quiet, not going to represent us in the mind thoughts too complicated. " It is a track that accentuates the rhythmic side of the Sicilian band but retains within itself the traces of what has become the "brand" of Marta Sui Tubi, a very sophisticated and complex approach to the arrangements and song structures (in some ways almost "prog" and not look like a dirty word) mediated by an impact rock that is exalted above all live. From his debut as a duo almost just voice and guitar (that of Carmelo Pipitone) to the battery Ivan Paolini, until new enty Paolo Piscitelli (keyboards Sardinia) and the new cellist Matt Woods, the work The band has always maintained its original character but try new solutions, without running the risk of recurrence. "The mood is always our composition, but over time thickens the sound and structure in a different way," says John. "We get bored when we hear the music in four quarters, very simple. There is always something already heard. Our idea is to do different things, and which remain. We do not want to make records meteor riding the trend of the moment. And we are not afraid to displace the listener with moments alienating. " Moreover, this attitude of Marta Sui Tubi has always been well represented in the work of the band. Almost an ethical, if you will, that feeds the respect of listening and live music almost as a mission. " It is no coincidence that the band have always refused, until now, the courting of major labels, maintaining control over their music and their creative process through the creation of a personal label, the drums used. "In the past we have signed contracts that we came out with force, not loved the pressure and wanted to do the things they like us, with our times, without being around people who earn money from us without doing anything," says the singer band. "If there was a label that the fine investing pennies and give us the artistic freedom, then we would be happy. But now we like so. We have everything we need to make records. " And speaking of records, but also growing curiosity about the new album, the fifth in a career that so far has consolidated its stature as one of the best bands in the independent circuit outputs zero out over the years. "We are traveling on new types of sounds, do not even know if" no network "will be released at the end of the disc," says John. "Certainly the mood of the album will be darker. There are moments of madness and deeper and more introspective. " Andrea Tramonte, Unione Sarda
Sunday, August 22, 2010
Patch Of Itchy Pimples
Interview Gardens Miro
"We publish a disc only when you really believe our geological era has arrived, a moment that marks a real difference. We are not musicians by profession and we outside of the dynamic record. " If there really is a matter of Giardini di Miro is worth emphasizing that this is what we deduce from the words of Conrad Nuccini, singer and guitarist of the band that will be in concert next Friday at Villa Siotto to Sarroch Sarroch in the Summer Groove Vox Day organized by musical attitude that led them to retain artistic restlessness and the ability to reinvent itself - but without force - in nearly fifteen years of his career and in the midst of four official records, several ep, collaborations and outputs side. Born in 1995 in Cavriago, a center of Emilia Romagna eleven thousand souls who gave birth also to Offlaga Disco Pax (and Orietta Berti) and where it was rumored that Lenin was honorary mayor of the town, the Gardens have been since the Miro time of their first self-produced EP (dated 1998) one of the most original names in the receipt of post-rock sound in Italy, quickly becoming the most important interpreters but without becoming prisoners of those who later became the style of the genre. For example, in 2007 they released a record, Dividing Opinions, which could channel their style in a more square, linked to the song form and the use of voice, incorporating also diindietronica shoegaze elements and in the meantime we had started to attend and to meditate in their sound. A record that seemed important to have marked the path more defined. But in 2009 he released The Fire (Unhip Records), which marked the return of the long instrumental band of the early years, but with a drier sound, balanced, dominated by a sense of proportion and rigorous style of almost extreme. The album was actually not even be an album. It was the soundtrack, commissioned by the Museo Nazionale del Cinema of Turin, a silent film of 1915, the fire of John Pastrone. "From an experience that was to be tied to a single concert at the end we realized that that was in effect our new record, "says Nuccini. "Creativity can take many initial sparks. Sometimes having a towel is not a limit but can be a map in which things move and develop with their own originality. " The band's approach to work was to communicate with the image without distorting it. "We thought if we had tried to make a dress that was fitting for the film, we would have lost the challenge from the start. We decided to use a dress that was to our own, perhaps with the risk of minor moments of harmony or philology with the film, but at least produce a result staff. And beyond singing or not to sing with this record we went back to a more nocturnal, dark and stripped that well represents our soul melodramatic. " At Sarroch Summer Groove, the band will offer the show tied to the fire, with the screening of the film and its soundtrack (opening night of the play De Grinpipol Sassari). In recent concerts, the band began to offer some new songs that should go to be part of the band's fifth album. "I certainly will not sound very optimistic and cheerful," says Nuccini. "Our records have a soul in a certain way and carry out our social perceptions of the reality around us. A reality that you are laddered, both politically and socially. My experience of 36 year-old musician does not make me see the world with optimism. But there is the will to continue to do our part, and it is every day stronger. "
recently came out in a network compilation, Other gardens, which contains some songs from the band's discography reinterpreted by many artists already known (His Clancyness, Banjo or Freakout, Comaneci, Bob Corn, Stefano Pilia) and other less Note the Italian music scene. "This disk was born a little 'game, as half a joke," says Corrado Nuccini. "I say half because in the end the result was very good and involving reality worthy of note that represent the best of today's music scene. We are always difficult to answer the question of how the Italian music scene. In the end, however, this compilation has already been answered. " One of the characteristics of the compilation, which demonstrate a little 'the role of musical reference of the Gardens through their website that they have specifically asked for unsigned bands, youth will be challenged in the realization of their cover in order to put the best compilation. And the response was very positive. "They came more than thirty covers, through the network, with a message on Facebook or Twitter," says Nuccini. "It was amazing see a response like that. And in the end there are four or five songs we have heard so, by bands who wanted to participate and gave us a cover sent through the channels of the web ". ( Andrea Tramonte, Unione Sarda ) 
"We publish a disc only when you really believe our geological era has arrived, a moment that marks a real difference. We are not musicians by profession and we outside of the dynamic record. " If there really is a matter of Giardini di Miro is worth emphasizing that this is what we deduce from the words of Conrad Nuccini, singer and guitarist of the band that will be in concert next Friday at Villa Siotto to Sarroch Sarroch in the Summer Groove Vox Day organized by musical attitude that led them to retain artistic restlessness and the ability to reinvent itself - but without force - in nearly fifteen years of his career and in the midst of four official records, several ep, collaborations and outputs side. Born in 1995 in Cavriago, a center of Emilia Romagna eleven thousand souls who gave birth also to Offlaga Disco Pax (and Orietta Berti) and where it was rumored that Lenin was honorary mayor of the town, the Gardens have been since the Miro time of their first self-produced EP (dated 1998) one of the most original names in the receipt of post-rock sound in Italy, quickly becoming the most important interpreters but without becoming prisoners of those who later became the style of the genre. For example, in 2007 they released a record, Dividing Opinions, which could channel their style in a more square, linked to the song form and the use of voice, incorporating also diindietronica shoegaze elements and in the meantime we had started to attend and to meditate in their sound. A record that seemed important to have marked the path more defined. But in 2009 he released The Fire (Unhip Records), which marked the return of the long instrumental band of the early years, but with a drier sound, balanced, dominated by a sense of proportion and rigorous style of almost extreme. The album was actually not even be an album. It was the soundtrack, commissioned by the Museo Nazionale del Cinema of Turin, a silent film of 1915, the fire of John Pastrone. "From an experience that was to be tied to a single concert at the end we realized that that was in effect our new record, "says Nuccini. "Creativity can take many initial sparks. Sometimes having a towel is not a limit but can be a map in which things move and develop with their own originality. " The band's approach to work was to communicate with the image without distorting it. "We thought if we had tried to make a dress that was fitting for the film, we would have lost the challenge from the start. We decided to use a dress that was to our own, perhaps with the risk of minor moments of harmony or philology with the film, but at least produce a result staff. And beyond singing or not to sing with this record we went back to a more nocturnal, dark and stripped that well represents our soul melodramatic. " At Sarroch Summer Groove, the band will offer the show tied to the fire, with the screening of the film and its soundtrack (opening night of the play De Grinpipol Sassari). In recent concerts, the band began to offer some new songs that should go to be part of the band's fifth album. "I certainly will not sound very optimistic and cheerful," says Nuccini. "Our records have a soul in a certain way and carry out our social perceptions of the reality around us. A reality that you are laddered, both politically and socially. My experience of 36 year-old musician does not make me see the world with optimism. But there is the will to continue to do our part, and it is every day stronger. " 
recently came out in a network compilation, Other gardens, which contains some songs from the band's discography reinterpreted by many artists already known (His Clancyness, Banjo or Freakout, Comaneci, Bob Corn, Stefano Pilia) and other less Note the Italian music scene. "This disk was born a little 'game, as half a joke," says Corrado Nuccini. "I say half because in the end the result was very good and involving reality worthy of note that represent the best of today's music scene. We are always difficult to answer the question of how the Italian music scene. In the end, however, this compilation has already been answered. " One of the characteristics of the compilation, which demonstrate a little 'the role of musical reference of the Gardens through their website that they have specifically asked for unsigned bands, youth will be challenged in the realization of their cover in order to put the best compilation. And the response was very positive. "They came more than thirty covers, through the network, with a message on Facebook or Twitter," says Nuccini. "It was amazing see a response like that. And in the end there are four or five songs we have heard so, by bands who wanted to participate and gave us a cover sent through the channels of the web ". ( Andrea Tramonte, Unione Sarda ) Friday, August 20, 2010
Average Cost Of Mandap
fauna of the park Iblei
 |
| small specimen of fox in the act of submission. |
The wildlife of this area is not gods usually taken much into consideration. In our schools, he speaks very little and even those involved in narrating the beauty of these places many times considered very little. The territory varied in nature, hides the impressive sights. If you have a little 'patience and luck, into the twilight hours, you come across the fox visiting some country house in search of food and water (urbanization of wildlife). Spinning around in the hours you can easily meet favorable specimens of sea urchins, turtles, rabbits and numerous species of birds. Not infrequently it happens to come across specimens of migratory birds for our area, they, because of the change that has been the coastal follow other routes to reach the place in which to nest.
; ; ;
Monday, August 16, 2010
How To Stretch Your Scrotum
American indie, Michael Azerrad (Arcana Editions)
If in recent times is the oxymoron used to describe certain indie-mainstream band, something must have happened in recent years in the world of independent music: a kind of moving the concept from its original content with a vague sense that tends to incorporate a lot of things, too distant from those who have been for twenty years, the aesthetic codes that represent the musical universe "indie" (post hardcore, lo-fi, noise, alt-country, slowcore, post-rock, indie pop) and those related to the ethical concept of self-production and do it yourself. Also because of the fact that today's music market is mainly based on small labels and the majors have lost Microtrend and space and relevance, category ultimately could be applied to anyone. But not only in recent years have witnessed a "genetic mutation", where the term - writes journalist Carlo Bordone - means "a product category and style, mostly children, even the boom of the Strokes and hundreds of their clones ". Of course not only, but in perception, particularly among detractors, too. Why are greeted with enthusiasm the Italian release of a book by American journalist Michael Azerrad, American indie. 1981-1991 (Arcana Editions, original title, "Our Band Could Be Your Life). It is a beautiful book that examines the foundations of that revolution in the eighties underground that laid the foundations for good the best independent rock in the years to come, until 1991 - the year of Nirvana's Nevermind, the year in which the alternative rock reached the top of the Billboard charts unleashing a hunt for the majors until the final band of the independent in search of another strike of the economic worth of the band of Kurt Cobain. Although there are exclusions painful (and only version "americanocentrica") refers to critical bands like Black Flag, Sonic Youth, Minutemen, Beat Happening, Dinosaur Jr, Big Black and Fugazi and labels like SST, Sub Pop, K Records, Dischord and Touch & Go The beginnings of the birth of a network of small labels, independent radio, zines, small record shops that he started an alternative system to the mainstream music market, where they could find space music projects for a different audience, niche, supported by enthusiastic word of mouth and the love of fans and critics: an underground network based on cooperation, a "cultural underground railroad" in America that Reagan - and in opposition to that America - he realized that a printed record "was not the mysterious privilege reserved for large companies" and began to produce materials that music majors were never printed. It was the opening of possibilities generated by the punks, "anyone can do it." And then the spirit: the pursuit of an uncompromising artistic ideal. DIY rebellion. The work ethic. The idea of \u200b\u200bmaking music without necessarily being the star. Moreover, as the Minutemen said: "Look at us, we are just like you: three losers from the provinces are trying. Why do not you try it yourself? ". ( Andrea Tramonte, Unione Sarda 15/08/2010)
Thursday, August 12, 2010
How Often Can I Donate Blood If I Use The Alyx
notes scattered on the H I Stay Festival 2010 The Hare
Before the fest I thought I could write a report every day for three days to recount the Hare I Stay Festival in almost real time. But as I thought there was no time and modo.Ora, ten days away, it seems to me just drop a line - with the proviso that it is a view from "within" - beautiful on an issue that reveals how the festival is growing well and that looks edition next year with renewed optimism. Here.
The Oneida funk stuff to start with then continue with hip hop and nineties nell'electro forays. Only the day before the New York band had known what it is: a live in high volumes with a devastating sound that alternates repetitive kraut, psychedelic, hard rock and pure noise, literally shakes the ears of those who stood in front of the stage (the whistle to my left ear was gone after two days). A monstrous live - there is no other adjective to describe it - which has amply repaid the efforts to have them brought from New York to play in a small Sardinian festival on the outskirts of a village in the Middle Campidano.
One of the satisfactions I Stay Festival at Her best is when you talk to some of the bands involved, one of those who come for the first time, and express their happiness (sincere , not of fact) for being invited. In a friendly festival hosted by a beautiful location close to the sea of \u200b\u200bunparalleled Costa Verde. They are small things that comfort in the annual effort to move forward with this experience.
it is not easy to pull on a festival like this. The concept of "do-it-yourself" in Italy was a bit 'disgraced, but the core remains the same: to do things on its own merits, without compromising on artistic choices (never a hustler, maybe to get some more input that would give greater financial security), with a group of eight guys who can divide the tasks and that arrived at the threshold of the festival, you plant the Sleepwalkers Guspini several days before the start, working to set up everything and prepare for Friday. It is a festival pulled up risking the hard way, betting on their work. Every year we try to make it grow a little 'more, in the hope that sooner or later will get more financial security with the ability to raise even more the level of the line-up.
**** 
**** One of the most curious live with that expected at the festival was that of Buzz Aldrin . The band had Bolognese listened to in streaming the tracks of the first EP, released on the casket Secret Furry Hole and inside there I found much of what ultimately I like it: a dark and haunting sound that revises an original post-punk British and American influences (Wire , Suicide), suggestions shoegaze, garage and even a cover shot of the Silver Apples. Live all'His were huge. The sound on stage takes a thick - almost in the sense of matter - which has no disk, and a rock that impact is greatly enhanced compared to that of the tape recordings. Percussive, powerful, even violent, personal opinion - and without wanting to do wrong to the other bands that played - one of the best live all'His.
Before the fest I thought I could write a report every day for three days to recount the Hare I Stay Festival in almost real time. But as I thought there was no time and modo.Ora, ten days away, it seems to me just drop a line - with the proviso that it is a view from "within" - beautiful on an issue that reveals how the festival is growing well and that looks edition next year with renewed optimism. Here. I Stay at Her Stuff happens. It's Sunday night, now the festival is running with the (few) remaining energy left to those who have experienced this issue since the early afternoon of Friday, alternating days at the beach and concerts throughout the weekend. Raw Rave Groove I have just finished flashing the stage with a truly lethal live, proving - if proof were still needed - that this is a mature band despite the young age, ready to leap the final and a European tour to hold a high level.
After a few minutes apart from a DJ set that was not in the program: the Oneida jumped on the mixing desk of the white stage and started to select some 'music from their iPod. Typically, the third day you do not program the DJ set because people come last Sunday night's live a little, 'we say, "boiled". But there still want to be there, to refer more possibileil when once again we must leave behind the Here I Stay, and wait a year for the new edition.
The Oneida funk stuff to start with then continue with hip hop and nineties nell'electro forays. Only the day before the New York band had known what it is: a live in high volumes with a devastating sound that alternates repetitive kraut, psychedelic, hard rock and pure noise, literally shakes the ears of those who stood in front of the stage (the whistle to my left ear was gone after two days). A monstrous live - there is no other adjective to describe it - which has amply repaid the efforts to have them brought from New York to play in a small Sardinian festival on the outskirts of a village in the Middle Campidano. And there they were the Oneida, Sunday night around half past two to three, apparently Oneida these same the day before, waving their arms and improvised ballets choreographed with the public and the band left, revealing a lightness and an ability to get involved in that fund, having heard live on the day before, you would not have expected. View drummer Kid Millions, who did things on Saturday alien on his arms and carried a live music over an hour of almost seamlessly, taking the stage and rock out and have fun without mediation and compromise. Some did not appreciate, the majority of respondents understood and interpreted well the spirit in which it was made the set. And it went on until late, until people - tired - did not begin to withdraw in tents, to return home or b & b. And so the curtain fell also on the issue of the 2010 festival.
all'His Stuff happens. In a festival where there are no barriers between the band, staff and public, where everyone participates together at the same party where the atmosphere that reigns here is pure intimacy and friendship - may sound trivial or even silly or rhetorical, but it's true, and it is an aspect of the festival for which I Stay Here really is a difference .
*****
One of the satisfactions I Stay Festival at Her best is when you talk to some of the bands involved, one of those who come for the first time, and express their happiness (sincere , not of fact) for being invited. In a friendly festival hosted by a beautiful location close to the sea of \u200b\u200bunparalleled Costa Verde. They are small things that comfort in the annual effort to move forward with this experience.
it is not easy to pull on a festival like this. The concept of "do-it-yourself" in Italy was a bit 'disgraced, but the core remains the same: to do things on its own merits, without compromising on artistic choices (never a hustler, maybe to get some more input that would give greater financial security), with a group of eight guys who can divide the tasks and that arrived at the threshold of the festival, you plant the Sleepwalkers Guspini several days before the start, working to set up everything and prepare for Friday. It is a festival pulled up risking the hard way, betting on their work. Every year we try to make it grow a little 'more, in the hope that sooner or later will get more financial security with the ability to raise even more the level of the line-up.
****
A betting this year was included in the line-up a project completely alien to the context "rock" and "pop" and "folk" and "electronic" typical dell'His , a project originally Seneghe tenor, on contractual seneghesu . Their performance has been included on Sundays, after the live of Cagliari Everybody Tesla - live looping with recreational use of headings, where a catchy pop style is coupled with a shot, sometimes open and sometimes experimental dancefloor - and that of His Bolognese Clancyness - Cheh brought a perfect dream pop dreamy, reverberated in the timetable in which it was placed, when the sun was going down permanently - and drew the entire audience of the festival under the stage, so intrigued by the unusual presence. It was nice to see how the audience responded with warm enthusiasm and a deep esteem that were revealed by the respectful silence with which the show was heard. Many have moved. It might seem like a gamble and instead was beautiful.
**** One of the most curious live with that expected at the festival was that of Buzz Aldrin . The band had Bolognese listened to in streaming the tracks of the first EP, released on the casket Secret Furry Hole and inside there I found much of what ultimately I like it: a dark and haunting sound that revises an original post-punk British and American influences (Wire , Suicide), suggestions shoegaze, garage and even a cover shot of the Silver Apples. Live all'His were huge. The sound on stage takes a thick - almost in the sense of matter - which has no disk, and a rock that impact is greatly enhanced compared to that of the tape recordings. Percussive, powerful, even violent, personal opinion - and without wanting to do wrong to the other bands that played - one of the best live all'His. Without being able to reflect on all different sequences also point - besides the already mentioned - the beautiful concert Trees of Mint, which the festival has brought the new live entirely based on instrumental compositions for guitar and loops, with a few agreements are repeated for the duration of songs and sounds that create a contiguous series of small but significant changes in the structure of the piece. All accompanied by visual projection for the entire course of the concert. All very nice seriously: do not miss the item and does not feel even the lack of taste that "pop" which had also led to some very incisive pieces (Today Polaroid). There is a sense balance and measure, a taste and a strong sensitivity in the new Live Trees of Mint that reveal an artist deeply developed.
nonsense was presented on stage with a brand new band. A band that has accentuated the rock side of his music with him - without a guitar - free to move on stage and pull off the vocal cords a grim new release, which will spotlight the whole image of the last live (often only guitar and vocals) and raised in a big way. The first Nick Cave, but also the Movie Star Junkies, a few steps. I also very much appreciated Criminal Jokers and Drink To Me, both excellent writers live in the frame of the stage "small". They completed the lineup: the Sardinians Plasma Expander , Love Boat, Two Bit Dezperados , Thee Oops, Children's Music (very good), Comaneci (creepy as usual), GI Joe (considerable), the English Mujeres and Bradien the Danesin My Bubba and I, the British Cold Pumas , Americans Jonesin ', and still Signorafranca (including veterans of the scene Cagliari e) and Three Second Kiss (high-impact, too). DJ set on Saturday and end on Friday by Michael Myers and Tavrvs .
nonsense was presented on stage with a brand new band. A band that has accentuated the rock side of his music with him - without a guitar - free to move on stage and pull off the vocal cords a grim new release, which will spotlight the whole image of the last live (often only guitar and vocals) and raised in a big way. The first Nick Cave, but also the Movie Star Junkies, a few steps. I also very much appreciated Criminal Jokers and Drink To Me, both excellent writers live in the frame of the stage "small". They completed the lineup: the Sardinians Plasma Expander , Love Boat, Two Bit Dezperados , Thee Oops, Children's Music (very good), Comaneci (creepy as usual), GI Joe (considerable), the English Mujeres and Bradien the Danesin My Bubba and I, the British Cold Pumas , Americans Jonesin ', and still Signorafranca (including veterans of the scene Cagliari e) and Three Second Kiss (high-impact, too). DJ set on Saturday and end on Friday by Michael Myers and Tavrvs .
To close, I refer you to the first reports released so far (will update the list as they come out the other):
Wednesday, August 11, 2010
33 Weeks Pregnant Is It Normal To Have Ba
Monday, July 26, 2010
Knee Boards With Wheels
Here I Stay Festival 2010
I remind you that this Friday begins Here I Stay Festival 2010, scheduled at the Club Sleepwalkers Guspini until Sunday night (bottom).
I should not be the one to say that the program is very cool, but so, I say the same. Apart from that there are the Oneida (Oneida!) And hosts them for all of us is basically the culmination of a dream, but there's a whole three-day festival that is worth living intensely in its best advantage. In music, of course, in the atmosphere all'His in days at sea and then shower and concerts, in dance under the stars until you stand up, in three beautiful days where you leave exhausted and happy.
This is the lineup for three days. Enjoy it!
Friday July 30
This is the lineup for three days. Enjoy it!
Friday July 30
19:00 - Children's Music
20:00 - 21:00
Comaneci - Two Bit Dezperados
22:00 - 23:00
Trees Of Mint - GI Joe
24:00 - Fair Ohs
01:00 - 02:00
Buzz Aldrin - Love Boat
dj set Tavrvs
Saturday, July 31 19:00 - 20:00
nonsense - My Bubba and I
21:00 - 22:00 Signorafranca
- Plasma Expander
23:00 - 00:00 Bradien
- Oneida
01:00 - Criminal Jokers
02:00 - Mujeres
Michael Myers dj set
Sunday, August 1
19:00 - 20:00 Everybody
Tesla - His Clancyness
21:00 - On contractual Seneghesu
22:00 - 23:00 Cold
Pumas - Jonesin '
24:00 - 01:00
Three Second Kiss - Drink
To Me 02:00 - Raw Rave Groove
I would also point to a Vitaminic article and the podcast of special on Radio Rai Sardegna, in Trip Rodolfo heat, with interviews with the protagonists of the festival and the songs.
20:00 - 21:00
Comaneci - Two Bit Dezperados
22:00 - 23:00
Trees Of Mint - GI Joe
24:00 - Fair Ohs
01:00 - 02:00
Buzz Aldrin - Love Boat
dj set Tavrvs
Saturday, July 31 19:00 - 20:00
nonsense - My Bubba and I
21:00 - 22:00 Signorafranca
- Plasma Expander
23:00 - 00:00 Bradien
- Oneida
01:00 - Criminal Jokers
02:00 - Mujeres
Michael Myers dj set
Sunday, August 1
19:00 - 20:00 Everybody
Tesla - His Clancyness
21:00 - On contractual Seneghesu
22:00 - 23:00 Cold
Pumas - Jonesin '
24:00 - 01:00
Three Second Kiss - Drink
To Me 02:00 - Raw Rave Groove
I would also point to a Vitaminic article and the podcast of special on Radio Rai Sardegna, in Trip Rodolfo heat, with interviews with the protagonists of the festival and the songs.
Cubase Dongle Hack Mac
Almost forgot
In short, I eventually forgot to report here on the blog that was released a month from now the first release of On2Sides (remember? it spoke here ) O2S 01, the first dedicated electronic samplers produced in Sardinia, in limited edition casket. The copies are running and probably the last chance to get one will be at Her I Stay Festival 2010, scheduled for 30 July 31 and August 1 at Club Sleepwalkers Guspini, where there will be a banquet of O2S with the tapes, the badges and T-shirts to match.
Now what are the next steps O2S? Meanwhile, two releases. A, O2S 02, will be another sampler dedicated time to the scene "rock, indie, garage, folk singer-songwriter and Sardinia. Very soon all the details with artwork and names of the bands involved. Then the first ep of Everybody Tesla Always in August - and from what I have done so far the kids can say that the album will come out really cool. You may also get a video in September, but do not say anything for good luck. Again, very soon all the details of the case and its release party. ( The first photo is of Nicholas Massa, the second of Manuela Meloni )
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